That’s largely in line with what Suerez and Vaserstein, the creators of Granny Spills, tell me. They actually hate it when their work is called slop, given the way the term is often used to dismiss AI-generated content out of hand. It feels disrespectful of their creative input, they say. Even though they do not write the scripts or paint the frames, they say they are making legitimate artistic choices.
Indeed, for most of the creators I spoke to, making AI content is rarely a one-click process. They tell me that it takes skill, trial and error, and a strong sense of taste to consistently get the visuals they want. Lim says a single one-minute video can take hours, sometimes even days, to make. Anselmo, for his part, takes pride in actively pushing the model rather than passively accepting its output. “There’s just so many things that you can do with it that go well beyond ‘Oh, way to go, you typed in a prompt,’” he says. Ultimately, slop evokes a lot of feelings. Aleksic puts it well: “There's a feeling of guilt on the user end for enjoying something that you know to be lowbrow. There's a feeling of anger toward the creator for making something that is not up to your content expectations, and all the meantime, there's a pervasive algorithmic anxiety hanging over us. We know that the algorithm and the platforms are to blame for the distribution of this slop.”
And that anxiety long predates generative AI. We’ve been living for years with the low-grade dread of being nudged, of having our taste engineered and our attention herded, so it’s not surprising that the anger latches onto the newest, most visible culprit. Sometimes it is misplaced, sure, but I also get the urge to assert human agency against a new force that seems to push all of us away from what we know and toward something we didn’t exactly choose.
But the negative association has real harm for the earlier adopters. Every AI video creator I spoke to described receiving hateful messages and comments simply for using these tools at all. These messages accuse AI creators of taking opportunities away from artists already struggling to make a living, and some dismiss their work as “grifting” and “garbage.” The backlash, of course, did not come out of nowhere. A Brookings study of one major freelance marketplace found that after new generative-AI tools launched in 2022, freelancers in AI-exposed occupations saw about 2% decline in contracts and a 5% drop in earnings.
“The phrase ‘AI slop’ implies, like, a certain ease of creation that really bothers a lot of people—understandably, because [making AI-generated videos] doesn't incorporate the artistic labor that we typically associate with contemporary art,” says Mindy Seu, a researcher, artist, and associate professor in digital arts at UCLA.
At the root of the conflict here is that the use of AI in art is still nascent; there are few best practices and almost no guardrails. And there’s a kind of shame involved—one I recognize when I find myself lingering on bad AI content.