Gormley has been finding a “way around it” by systematically exploring how tradition can be harnessed in new ways to repair what she has dubbed the “oil vernacular”—the contemporary building system shaped not by local, natural materials but by global commodities and plastic products made largely from fossil fuels.
Though she grew up in a household rich in art and design—she’s the daughter of the famed British sculptor Antony Gormley—she’s quick to say she’s far from a brilliant maker and more of a “bodger,” a term that means someone who does work that’s botched or shoddy.
Improviser or DIYer might be more accurate. One of her first bits of architecture was a makeshift home built on the back of a truck she used to tour around England one summer in her 20s. The work of her first firm, Practice Architecture, which she cofounded after graduating from the University of Cambridge in 2009, was informed by London’s DIY subcultures and informal art spaces. She says these scenes “existed in the margins and cracks between things, but in which a lot felt possible.”
Frank’s Café, a bar and restaurant she built in 2009 on the roof of a parking garage in Peckham that hosted a sculpture park, was constructed from ratchet straps, scaffold boards, and castoffs she’d source from lumberyards and transport on the roof rack of an old Volvo. It was the first of a series of cultural and social spaces she and her partner Lettice Drake created using materials both low-budget and local.
Material Cultures grew out of connections Gormley made while she was teaching at London Metropolitan University. In 2019, she was a teaching assistant along with Summer Islam, who was friends with George Massoud, both architects and partners in the firm Study Abroad and advocates of more socially conscious design. The trio had a shared interest in sustainability and building practices, as well as a frustration with the architecture world’s focus on improving sustainability through high-tech design. Instead of using modern methods to build more efficient commercial and residential spaces from carbon-intensive materials like steel, they thought, why not revisit first principles? Build with locally sourced, natural materials and you don’t have to worry about making up a carbon deficit in the first place.