Burning Mao

The summer of 1977, when I was sixteen years old, I started work at Andy Warhol’s Factory. I was a teen stalker, a fantasist who mostly preferred sitting on a stoop opposite someone’s house, noting the street-scene in my diary, to actually meeting the person inside, and Andy had long been one of my simmering obsessions. My parents – New York society people with an interest in downtown art – had first met Andy in the late fifties, when my father was working as a fashion photographer and Andy was still an illustrator dressing windows for Bonwit Teller. My father liked to say that back then he’d thought Andy Warhol an embarrassing little creep whose determination to be famous was clearly doomed. But my mother had a taste for oddball dreamers and she and Andy became friends; she appeared in one of his 1964 Screen Tests. I’d been raised on her stories of the Factory – the silver-tinfoil-walled spaceship where Andy, pedaling on his exercise bike, swigged codeine-infused cough syrup and wat ... Read full article.