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‘Star Trek: Strange New Worlds’ Did a Documentary Episode That Should’ve Been Killed in the Edit

Star Trek: Strange New Worlds is, at this point, very clearly a series that is unafraid to dabble in its format on a regular basis. That can lead to episodes of Star Trek that don’t necessarily look or feel like what we expect of Star Trek, even if they still play with ideas and approaches that fit into what the franchise has done for generations now. This week’s Strange New Worlds definitely fits into both of those ideas, with an episode in a new format, an in-universe documentary, and an episo

These are the best streaming services you aren’t watching

We all know how to find our favorite shows and blockbuster films on mainstream streaming services like Netflix, HBO Max, and Disney+. But even as streaming has opened the door to millions of hours of on-demand entertainment, it can still feel like there’s nothing fresh or exciting to watch anymore. If you agree, it’s time to check out some of the more niche streaming services available, where you can find remarkable content unlikely to be available elsewhere. This article breaks down the best

Crytek finally explains why the jump from Far Cry to Crysis changed everything

In context: Crytek recently turned 25, and its new documentary revisits the origins of the legendary "But can it run Crysis?" meme. The studio reveals the game's staying power wasn't just brute tech – it came from a bold shift to mimicking real nature, setting a new bar for realism. Crytek is marking its 25th anniversary with a new documentary series that reexamines its legacy – starting with the creative leap between Far Cry and Crysis. For years, gamers assumed Crysis was simply the product o

Stone blocks from the Lighthouse of Alexandria recovered from seafloor

After centuries underwater, 22 huge stone blocks of the ancient Lighthouse of Alexandria, one of the Seven Wonders of the Ancient World, have been recovered from the Mediterranean seabed, a breakthrough in an ambitious digital reconstruction effort. Restoration is part of the ongoing “PHAROS” project, led by archaeologist and architect Isabelle Hairy of France’s National Center for Scientific Research (CNRS), along with Egypt’s Centre d’Études Alexandrines (CEAlex) under the authority of Egypt’

The Sounds of a Dying Glacier Might Make You Cry

From trippy mushroom synths to the stressed-out "pops" of thirsty plants, recording the music of nature has long resulted in soundscapes both fascinating and moving. A new recording of a melting glacier in the Swiss Alps, however, goes over the line right into devastation. Recorded by French sound artist Ludwig Berger at the rapidly-retreating Morteratsch glacier in the upper part of the Swiss Alps, the "Crying Glacier" project is exactly what the name suggests: the documentation of an ancient

Mierle Laderman Ukeles, a '70s artist who became a hero to 'garbage men'

The New York City Sanitation Department in the late 1970s was not an obvious place to find a warm welcome for feminist conceptual art. But the newly appointed sanitation commissioner, Norman Steisel, had arrived as an outlier in the world of municipal waste. Before he began his career in city government, first working in budget offices, he had been a graduate student in chemical engineering and applied mathematics at Yale, where he fell in with a crowd of M.F.A. students. He understood the avant

A '70s performance artist who became a hero to 'garbage men'

The New York City Sanitation Department in the late 1970s was not an obvious place to find a warm welcome for feminist conceptual art. But the newly appointed sanitation commissioner, Norman Steisel, had arrived as an outlier in the world of municipal waste. Before he began his career in city government, first working in budget offices, he had been a graduate student in chemical engineering and applied mathematics at Yale, where he fell in with a crowd of M.F.A. students. He understood the avant

He '70s Performance Artist Who Became a Hero to 'Garbage Men'

The New York City Sanitation Department in the late 1970s was not an obvious place to find a warm welcome for feminist conceptual art. But the newly appointed sanitation commissioner, Norman Steisel, had arrived as an outlier in the world of municipal waste. Before he began his career in city government, first working in budget offices, he had been a graduate student in chemical engineering and applied mathematics at Yale, where he fell in with a crowd of M.F.A. students. He understood the avant