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Fix damaged art in hours with AI

In his study, Alex Kachkine, SM ’23, presents a new method he’s developed that involves printing the restoration on a very thin polymer film that can be carefully aligned with a painting and adhered to it or easily removed. As a demonstration, he used the method to repair a highly damaged 15th-century oil painting he owned. First he used traditional techniques to clean the painting and remove any past restoration efforts. Then he scanned the painting, including the many regions where paint had f

MIT student prints AI polymer masks to restore paintings in hours

MIT graduate student Alex Kachkine once spent nine months meticulously restoring a damaged baroque Italian painting, which left him plenty of time to wonder if technology could speed things up. Last week, MIT News announced his solution: a technique that uses AI-generated polymer films to physically restore damaged paintings in hours rather than months. The research appears in Nature. Kachkine's method works by printing a transparent "mask" containing thousands of precisely color-matched region

Have a damaged painting? Restore it in just hours with an AI-generated “mask”

The restoration is printed on a very thin polymer film, in the form of a mask that can be aligned and adhered to an original painting. It can also be easily removed. Kachkine says that a digital file of the mask can be stored and referred to by future conservators, to see exactly what changes were made to restore the original painting. Still, there has been no way to translate digital restorations directly onto an original work, until now. In a paper appearing today in the journal Nature, Alex

Have a damaged painting? Restore it in just hours with an AI-generated "mask"

The restoration is printed on a very thin polymer film, in the form of a mask that can be aligned and adhered to an original painting. It can also be easily removed. Kachkine says that a digital file of the mask can be stored and referred to by future conservators, to see exactly what changes were made to restore the original painting. Still, there has been no way to translate digital restorations directly onto an original work, until now. In a paper appearing today in the journal Nature, Alex