At a record store in northern Los Angeles, I walked past racks of albums, a DJ spinning records and a stack of Dunkaroos, a cookies and icing snack that was all the rage in '90s America. It felt like stepping back into an earlier era, the same one backdropping the upcoming game Mixtape, a story about a group of self-mythologizing teens hanging out before life pulls them away from their suburban American town.
In an amusing twist of fate, the main brain behind the game is an Australian rocker who didn't step foot in the US until his 30s. Johnny Galvatron (a stage name and lead singer of the band The Galvatrons), creative director at studio Beethoven & Dinosaur, dreamed up Mixtape based on a blend of American youth culture that was broadcast worldwide, along with his own upbringing loving music of the period and playing in bands.
In a recording room behind the record store, I chatted with Galvatron about why a man from the Antipodes would tackle American youth, nostalgia through the lens of music and analog audio tech, the earnest wrongness of being a teenager and why the US is like Middle-earth.
I also got to play a short slice of Mixtape ahead of the conversation, a demo I originally saw at Summer Game Fest last year (but with a couple extra scenes exclusive to this event). It opened up with the game's older teen heroine, Stacy Rockford, skateboarding down a winding road with her friends, lazily pulling kickflips and calling out oncoming cars in the golden hour before twilight, a fitting start for a game about the last days before adulthood knocks.
From what I saw, there's a bit of overlap with other nostalgia-laden narrative games about teens growing up, such as studio Don't Nod's Life is Strange series or last year's Lost Records: Bloom and Rage. But Mixtape avoids the plotty drama of those games in favor of lionizing the humble wonder of teens killing time. And it does it in style, with kinetic editing and needle drops that immerse players in the MTV-drenched lives of kids whose rebellious days are numbered. It's tonally different, reflecting Galvatron's memories of being an earnest teen, liking music and tossing out strong opinions.
"There's a lot of stories about teenagers where they're portrayed as very shy and not confident. And that's not really my experience of being a teenager," Galvatron said. "I was very confident and wrong about things and about how I felt about music."
A 90s style polaroid photo of Mixtape creative director Johnny Galvatron at the preview event for the game at Licorice Pizza Records in Studio City, Los Angeles. Beethoven & Dinosaur
Galvatron's earnest teenagehood was in Australia, but setting the game there might have been too close to home. Plus, his favorite music and culture came from America. Despite not coming to the US until he was 32, he's watched America every single day of his life, he said. Seeing it in person is like coming to a theme park, or a fantasy land: "To people who live in Western cultures, America is Middle-earth," Galvatron said.
The game is split into chapters, each patterned after a carefully-chosen song. They all come together in the titular mixtape, the swan song of a cherished friend group, one last rock-out to tunes that speak to the moment. It was those songs that drove the creation of the emotional sequencing of Mixtape, Galvatron told me. Whereas most games start development by creating a "vertical slice" that represents the core loop of the game, Beethoven & Dinosaur made "a real shitty version of the whole game" and swapped around the songs to see what different stories the configurations told.
Stacy Rockford (center) hangs out in her room with her friends, killing time. Annapurna Interactive
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