GoKawiilAs a demonstration, the researchers applied the computational violin to play two short excerpts: one from “Bach’s Fugue in G Minor,” and another from “Daisy Bell” — a nod to the first song that was ever produced by a computer-synthesized voice.
In contrast, the new computational violin takes a physics-based approach: It produces sound based on the way the instrument, including its vibrating strings, physically interacts with the surrounding air.
While there are software programs and plug-ins that enable users to play around with virtual violins, their sounds are typically the result of sampling and averaging over thousands of notes played by actual violins.
In a study appearing today in the journal npj Acoustics, the MIT team reports on a new “computational violin” — a computer simulation that captures the detailed physics of the instrument and realistically produces the sound of a violin when its strings are plucked.
But a new tool developed by MIT engineers could help luthiers play around with a violin’s design and tweak its sound even before a single part is carved.
There is no question that violin-making is an art form. It requires a musician’s ear, a craftsperson’s skill, and an historian’s appreciation of lessons learned over time. Making a violin also takes trust: Violin makers, or luthiers, often must wait until the instrument is finished before they can hear how all their hard work will sound.
The computational violin currently simulates the sound of plucked strings — a type of playing that musicians know as “pizzicato.” Violin bowing, the researchers say, is a much more complicated interaction to model. However, the computational violin represents the first physics-based foundation of a strung violin sound that could one day be paired with a model of bowing to produce realistic, bowed violin music.
For now, the team says the new virtual violin could be used in the initial stages of violin design. Luthiers can tweak certain parameters such as a violin’s wood type or the thickness of its body, and then listen to the sound that the instrument would make in response.
“These days, people try to improve designs little by little by building a violin, comparing the sound, then making a change to the next instrument,” says Yuming Liu, senior research scientist at MIT. “It’s very slow and expensive. Now they can make a change virtually and see what the sound would be.”
“We’re not saying that we can reproduce the artisan’s magic,” adds Nicholas Makris, professor of mechanical engineering at MIT. “We’re just trying to understand the physics of violin sound, and perhaps help luthiers in the design process.”
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