GoKawiilis the Verge’s weekend editor. He’s covered the tech industry for over 18 years and knows a thing or two about synths.
There was a period in the early aughts when Definitive Jux (nee: Def Jux) seemed like it was going to be the future of hip hop. While the label featured plenty of experimental, boundary-pushing, and politically minded acts, Lif stood out as the most “conscious rapper” in the traditional sense. It was clear though, that label head El-P envisioned that as an important part of Def Jux’s identity, as the first record it put out was 2000’s Enter the Colossus EP, from Lif.
Mr. Lif’s follow-up was 2002’s Emergency Rations EP, a sort of place setter for the full-length I, Phantom just a couple of months later. It opens with a skit about Lif missing, apparently having been abducted by government agents. In 2002, Pitchfork suggested the bit was “unfortunate and sophomoric.” In 2026, it seems alarmingly prescient in a time when masked agents are disappearing suspected undocumented immigrants, prosecuting political opponents, and banning established news organizations from the White House.
Even if the opening skit feels a bit ham-fisted, the rest of the EP is enough to overshadow it. What follows is seven tracks of fiery political raps, surprisingly catchy hooks, and flawless production that runs the gamut from gothic underground, to classic boombap, and futuristic synth meltdowns.
What keeps the relentless, rapid-fire dystopian lyricism from getting too tiresome is the loose concept in which Lif plays the role of a revolutionary trying to organize an uprising in the face of an oppressive police state. “Let me nutshell-tell my life story, but I got to hurry up, and kick it, ‘cause the Feds are lookin for me,” he raps on “Jugular Vein,” which serves as the EP’s mission statement. It hints at his revolutionary ideals while relishing in some particularly nerdy boasts, like “You can use Eddy, now I’m Dr. Bosconovitch,” referring to a tough-to-unlock character from Teken 3.
I’d argue, though, that the Edan-produced “Heavily Artillery” is where the album really kicks into gear. The relentless military march of the drums, video game explosions, and low drones create the sort of chaotic backdrop that Lif’s urgent raps demand. On “Home of the Brave,” Lif gets more specific, calling out policies of the Bush administration, the Afghan war, and America’s thirst for foreign oil.
So Americans cheer while we kill their innocent families
And what better place to start a war,
But build a pipeline, to get the oil that they had wanted before
America supported the Taliban to get Russia out of Afghanistan
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