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We shall dwell amidst wonder and glory for ever: On weird fiction

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Why This Matters

This article highlights the evolving significance of weird fiction within the broader landscape of speculative and genre literature, emphasizing its influence on both cultural and philosophical discussions. For consumers and the tech industry, understanding this genre's development offers insights into how fantastical narratives shape digital storytelling, gaming, and immersive experiences. The exploration of weird fiction underscores its role in pushing creative boundaries and inspiring innovative media formats.

Key Takeaways

Various | Weird Fiction: An Anthology | Penguin | September 2024 | 208 pages

William Hope Hodgson | The House on the Borderland | Penguin | September 2024 | 208 pages

Algernon Blackwood | Ancient Sorceries | Penguin | September 2024 | 208 pages

Gertrude Barrows Bennett | Claimed! | Penguin | September 2024 | 144 pages

Robert Chambers | The King in Yellow | Penguin | September 2024 | 112 pages

On Tuesday, April 29, 2003, the British science fiction and fantasy writer M. John Harrison asked a question on Third Alternative magazine’s messageboard: “The New Weird. Who does it? What is it? Is it even anything?” This incited a taxonomic fury, as writers, fans, and amateur scholars attempted to define this new subgenre. Harrison eventually offered his own definition; the New Weird, like stories published in the namesake early twentieth-century pulp magazine Weird Tales, is a mix of “horror, sf, and fantasy,” with an emphasis on the horror.

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