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Scientists Identify Rare Blue Pigment in Iconic Jackson Pollock Painting—But It’s Now Off-Limits

Jackson Pollock was a famous American painter best known for his abstract expressionism, including the “drip and splash” and the “all-over” style of painting (which look exactly like they sound). Now we finally know the chemical origin of the blue color he splattered onto his iconic Number 1A, 1948. Researchers investigated the vibrant pigment via laser spectroscopy, a technique scientists use to investigate matter at the atomic level. With this approach, they revealed it to be manganese blue,

Museum of Color

Listen to this Story Narrated by Stephanie Krzywonos Contributor Bios Writer Stephanie Krzywonos is a Xicana nonfiction writer. Her forthcoming debut book is Ice Folx, an intersectional memoir set in the Antarctic underworld. She has written about her experiences on “the Ice” for Sierra Magazine, Ofrenda Magazine, The Willowherb Review, Kosmos Journal, The Dark Mountain Project, The Behemoth, and The Antarctic Sun. Artist Studio Airport, founded by Bram Broerse and Maurits Wouters, is an interdi

Maya Blue: Unlocking the Mysteries of an Ancient Pigment

Maya Blue: Unlocking the Mysteries of an Ancient Pigment We are sincerely grateful to Dr. Dean E. Arnold for writing specially for us this intriguing introduction to the mysterious and unique pigment known as Maya Blue. Dr. Arnold has published extensively about the Maya potters and their craft in Ticul, Yucatan from data collected during his twelve visits over a period of 43 years (1965-2008). He is currently Adjunct Curator of Anthropology at the Field Museum and Professor of Anthropology Eme

Hyperspectral scans of historical pigments and painting reconstructions

Painting Tools and Dataset Processed paint samples, using the Kubelka-Munk model to compute reflection and the painting_tools package to display the RGB values. See the corresponding notebook to understand how these parameters were estimated. This repository contains code and links to data for painting analysis using hyperspectral data. This data can be used in technical art history and computer graphics applications, for example for pigment mapping and spectral upsampling. Code and data for t