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Mass Surveillance

4 GoKawiil briefs on this topic

25 Years After 9/11, Mass Surveillance Now Reaches Beyond National Security

Cindy Cohn and Bruce Schneier trace how post-9/11 mass surveillance infrastructure, originally justified for counterterrorism, has expanded into routine domestic policing, immigration enforcement by ICE, and private security systems like facial recognition and license plate readers. They highlight that government agencies increasingly rely on private companies' data—including purchasing information directly from data brokers, as confirmed by FBI Director Kash Patel—rather than going through traditional legal channels.

EFF Op-Ed: Two Decades of Post-9/11 Mass Surveillance Has Outgrown Its Justification

An EFF essay co-authored with Cindy Cohn argues that surveillance tools built after Sept. 11 for counterterrorism have expanded far beyond that purpose, now used routinely by agencies like ICE and local police, and increasingly fused with private systems such as facial recognition and license-plate readers. It highlights that most of this data actually originates with private companies, including data brokers, which sell information to agencies like the FBI.

CBP's Predictive Intelligence Targeting Team Uses Financial Data to Flag Drivers

404 Media reports that Customs and Border Protection operates a little-known unit, the Predictive Intelligence Targeting Team, which reportedly analyzes Americans' financial transaction records and other data to identify people for traffic stops and further scrutiny. CBP declined to detail its methods, citing operational security, while civil liberties attorneys argue the program extends surveillance far beyond CBP's traditional border mission.

Public backlash against Flock's surveillance cameras turns creative and visible

Communities are pushing back against Flock Safety's automated license-plate cameras through visible, often theatrical protests, including people dressing as Darth Vader and tying red balloons near devices. The growing trend, dubbed 'Flocklash,' reflects widespread unease about the expansion of tech-enabled mass surveillance in public spaces.