The Sixties Come Back to Life in "Everything Is Now"
The film critic and cultural historian J. Hoberman’s new book, “Everything Is Now: The 1960s New York Avant-Garde—Primal Happenings, Underground Movies, Radical Pop,” is as jubilantly overstuffed as its subtitle. The book is a startlingly slow read—and I say that with unbridled enthusiasm. I can’t remember the last book I’ve read that contained so much information so tightly packed, or in which the distillation of vast research offered such relentless ricochets of association, connection, and al